A book that came to me at just the right moment. Odell questions our conceptions of productivity in this thoughtful and well-researched book by delving into the history of those who fought for our right to participate in society not solely as mechanisms of production; from Epicurus to the Longshoremen Union of San Francisco. A fascinating analysis of the urgent need to reevaluate an economic system that suffers when the creative mind is allowed to reflect, rest, and restore. This book matters.
If you like nature, swimming, going to the beach or eating fish, this is for you. It consists of three sections: a fascinating history of human exploration and exploitation of the oceans, a clear-eyed account of the damages and dangers their ecosystems currently face, and a hopeful call to action to protect and heal the intricate, beautiful web of life under the sea. An important book on ecology, but even more a great piece of natural history writing.
These books are about a minor league hockey team in the middle of nowhere. They are also about everything else in the universe. Families, small town mentalities, immigration, toxic masculinity, decisions that change the course of everyone's lives, the fragility and resilience of ourselves. Backman's prose reaches straight through your sternum to strangle your heart before he slowly resuscitates you. I cried cover to cover, laughed throughout, and found humanity in every character of this novel.
Howe's gorgeous new poetry collection (rumored to possibly be her final) unspools over five sections, which also include an essay and her signature cut-up text. Written in part while in residence at the Isabella Stuart Gardner Museum in Boston, Debths interrogates the curatorial/archival impulse, American history, aging, law, poetry, and above all, loss. I think it's Howe at her clearest.
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This title has become a best-selling cookbook at Prairie Lights, and deservedly so. Joshua McFadden seems to have distilled his knowledge from an impressive resume as chef and owner of great restaurants in Oregon, learning his skills in New York at Momofuku and Blue Hill, and working with Alice Waters in Rome and as manager of Four Season Farm in Maine. Using the harvest of a season as a guideline, this book champions fresh produce and the recipes yield big flavor, sometimes with surprising simplicity. My favorite part is its stocking suggestions, from cold brined raw vegetables to sauces and seasoned butters and dressings. You will find yourself collaborating deliciously with this exciting approach.
Michelle Hoover who wowed Prairie Lights’ audience, reading from her first book, The Quickening, now has a second book. It’s called Bottomland and, like her first, deals with rural culture in Iowa in the early 20th Century. This book is more of a thriller than The Quickening, involving a Germ, as always, well researched with characters formed by the dark circumstances of their lives. She’ll be reading the end of April, a reading all lovers of Willa Cather and the great mid-western writers will not want to miss.
This book is a winner on several levels. The bicycle’s progressive influences on American life are manifold, and Guroff manages to tell the story with a convincing thoroughness and a prose style that never drags. The bicycle improved mobility for the working class, allowed women greater freedom and a more practical mode of dress. Cyclists were instrumental in getting the awful 19th century road improved, and the list goes on. For what is a relatively brief book, the notes and bibliography are impressive.
A near-future dystopian novel by the author of The Windup Girl.
Through his compelling characters, Bacigalupi explores the disparate effects income inequality has on technology, society and personal ethics in the face of changes brought about by climate change. It deals with water rights and water privatization on the Colorado River in an arid American Southwest, making it a particularly timely “summer read”—but one that will leave you thinking about it past summer.
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A quirky and interesting take on the Western. It’s short (just a tad over 200 pages) but it packs an outsized wallop. It reminded me of Patrick DeWitt's excellent Sisters Brothers, but with all the fat stripped out. This is pure literary muscle. (And if you haven’t read Sisters Brothers, you now know what to read when you finish Haints Stay).
In this stunning debut, award-winning stage and screen actress Mary-Louise Parker reveals her talent as a writer of incredible skill and sensitivity. One part memoir, one part poetry and one part storytelling, Dear Mr. You is a series of letters written to the men (both real and imagined, both known and unknown) who have influenced and impacted her life. Readers will find themselves struck by Ms. Parker's unforgettable imagery and way with words. A very good read.