Is literature about cyber-punk hackers set in the Argentine jungle your cup of tea? It sure wasn't mine until I started reading Dark Constellations and was hooked. Pola Oloixarac's mind-bending novel is a critique of tech and surveillance culture that explores the concepts of science, genius, and justice all while following an awkward hacker through his formative years. The prose style is undeniably addictive; lightning fast and written in the style of an automaton, this exhilarating translation by Roy Kesey is out of this world. This book is strange, sexy, and surprising.
If you like nature, swimming, going to the beach or eating fish, this is for you. It consists of three sections: a fascinating history of human exploration and exploitation of the oceans, a clear-eyed account of the damages and dangers their ecosystems currently face, and a hopeful call to action to protect and heal the intricate, beautiful web of life under the sea. An important book on ecology, but even more a great piece of natural history writing.
MEMOIRS OF AN IMAGINAR FRIEND author Matthew Dicks has written an inventive, funny, book about a man who leaves academia for bookstore ownership. This is the perfect book for fans of Julie Schumacher, Paul Neilan, and Jonathan Tropper. The format of the book (don't be scared off! ) is lists. Not the first thing you would think of for good smooth storytelling, but It works! Very funny social commentary on life, books, academia, and of course relationships.
These books are about a minor league hockey team in the middle of nowhere. They are also about everything else in the universe. Families, small town mentalities, immigration, toxic masculinity, decisions that change the course of everyone's lives, the fragility and resilience of ourselves. Backman's prose reaches straight through your sternum to strangle your heart before he slowly resuscitates you. I cried cover to cover, laughed throughout, and found humanity in every character of this novel.
Howe's gorgeous new poetry collection (rumored to possibly be her final) unspools over five sections, which also include an essay and her signature cut-up text. Written in part while in residence at the Isabella Stuart Gardner Museum in Boston, Debths interrogates the curatorial/archival impulse, American history, aging, law, poetry, and above all, loss. I think it's Howe at her clearest.
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Always compelling and accessible, Michael Lewis does our country a service by laying out clear reasons why this presidency is like no other, and shouldn’t be “normalized” by lazy commercial journalists. Gain insight into how our governmental departments work, and how much we rely on the capability, expertise, and good faith of our public officials for our well-being. For instance, learn about the businessman who has been trying for years to make you pay him for your weather warnings, funneling the fruits of years of research and development paid for by our tax dollars into his pocket, and find how he may be appointed to a position in our government so he can make that happen. Enlightening.
Michelle Hoover who wowed Prairie Lights’ audience, reading from her first book, The Quickening, now has a second book. It’s called Bottomland and, like her first, deals with rural culture in Iowa in the early 20th Century. This book is more of a thriller than The Quickening, involving a Germ, as always, well researched with characters formed by the dark circumstances of their lives. She’ll be reading the end of April, a reading all lovers of Willa Cather and the great mid-western writers will not want to miss.
This book is a winner on several levels. The bicycle’s progressive influences on American life are manifold, and Guroff manages to tell the story with a convincing thoroughness and a prose style that never drags. The bicycle improved mobility for the working class, allowed women greater freedom and a more practical mode of dress. Cyclists were instrumental in getting the awful 19th century road improved, and the list goes on. For what is a relatively brief book, the notes and bibliography are impressive.
A quirky and interesting take on the Western. It’s short (just a tad over 200 pages) but it packs an outsized wallop. It reminded me of Patrick DeWitt's excellent Sisters Brothers, but with all the fat stripped out. This is pure literary muscle. (And if you haven’t read Sisters Brothers, you now know what to read when you finish Haints Stay).
In this stunning debut, award-winning stage and screen actress Mary-Louise Parker reveals her talent as a writer of incredible skill and sensitivity. One part memoir, one part poetry and one part storytelling, Dear Mr. You is a series of letters written to the men (both real and imagined, both known and unknown) who have influenced and impacted her life. Readers will find themselves struck by Ms. Parker's unforgettable imagery and way with words. A very good read.